fbpx

Painting

“Before Image, Only Movement”

Su Tung-p’o, the great painter and poet of the Song dynasty, stated that “To judge a picture by its resemblance is to have the critical faculty of a child.”
Read More »

“Always the Feeling of the Movement”

Do I pre-visualize what I am about to paint? Not at all.
Read More »

“Painting and the Depiction of Form”

Photography freed painting from having to depict form.
Read More »

“Empty Space Diamond?”

Ma Yuan, a painter of the Song dynasty, was called “One-corner Ma” because, in an attempt to render perspective, he would put the foreground figures in one corner
Read More »

“The Painting’s Title and the Patient’s Diagnosis”

“What’s the title of your painting?”, they ask me. Well, it’s like when I’m asked for a diagnosis. To me, the diagnosis is the sufferer’s name.
Read More »

“Painting as Guided”

Michelangelo was aware of his “I,” his ego, when he painted, just as we are when we look at his paintings. But when we go back and look at Paleolithic art, for instance that of the Lascaux caves, we realize that these were not the result of people’s conscious thoughts.

Read More »

“A Deeper Definition of Beauty”

There are two uses of the word beauty. The first is the everyday mundane usage, which has become so worn, so hackneyed, that there is little remaining emotional value.

Today, almost anything is claimed to be beautiful, whatever its intrinsic value.  But there is another meaning of the word, a supra-mundane meaning, which is directly related to its etymology.  For from the same root are derived such words as benediction, beatitude, supreme blessedness.  For this higher meaning I designate a capitalized Beauty.  Ruskin called such beauty Theoria.
Read More »

“One Way to Use Healing Art”

Many of the Japanese homes I have visited have a little altar area, which is usually behind closed doors. There is often incense burning, and some food that has been left for the gods. And inside there may be a painting, or perhaps a photograph of a dead relative to encourage the spirits to come through.

Read More »

“On Titling Art”

Over the years, I too have collected many rocks, and my love of them has nothing to do with their geological classifications. I have no idea what kind of rocks they are. To me, they are just rocks. In fact, I believe that when you name something, like a bird, or a flower—or a rock—you take something away from its inherent beauty.

Read More »

“Pure Art”

What could make pure art?  Obviously it cannot be created with notes of music and instruments, nor with paints and brushes, nor with cameras, nor with marble and chisels, since every medium has gross limitations. A medium is not full of life. We can bring it to life, but by itself it does not live.

Read More »
Facebook
Twitter
YouTube