You might think that Jackson Pollock’s movements when flinging the paint would be awkward – even violent. But look at the films of him in action: he’s dancing! There is rhythm and flow; there is grace.
My canvas is much, much smaller – no room for my body to dance – but when I look at it, my hand always is.
Read More »Yes, I am pantheistic. Everything is Spirit – is its own unique individual manifestation of The Spirit. Everything is Alive! And the more we Know this Truth, the stronger can be our relationship with It.
Every painting is Alive! Every painting projects, emanates, This into the space before it, into us in that space.
Read More »“The reason we find nothing to dislike in the drawings made by children is that in them the inherent nature of man finds expression without being thwarted or frustrated.”* That is to say, they are free to express their Muse, their Souls unrestrained.
But then, “The moment children become self-conscious, their pictures degenerate.”
Read More »Very many of my paintings contain a dot. Some more than one, but usually just the one – the One.
The dot always comes first, placing itself seemingly as it desires. (Sometimes that’s all I do. It resonates by itself on the otherwise all-white expanse of canvas.) It is the dot that inspires all the painting to follow.
Read More »In the room where I paint there are three Chinese gongshi, scholars’ rocks, as a tribute and a remembrance to my Chinese painting guides, members of the literati, the scholar-painters. It is as if I am triangulated by the Energy emanating from the rocks, from them as the rocks.
When I was in Japan, I searched for the equivalent of a Japanese scholar’s rock and found in a junkstore in Kyoto a cut-off section of an old tree root.
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