Creativity

“The Goal of All My Creativity”

To sublimate my individual attempts at healing sufferers into broader general areas hopefully to then be of help to more.

“The Primal Art”

In 1940 Stravinsky delivered the Charles Eliot Norton series of lectures at Harvard University. They were entitled “The Poetics of Music.” I feel certain that whoever came up with the title was not a musician. For it is backwards.

“Lascaux and the Message of the Divine”

Remember when looking at photos of the Lascaux paintings that there was yet no written language.

Video: Healing and the Metaverbal

What art forms can most efficiently heal? Those that operate beyond words, or as Dr. Diamond calls it, are "metaverbal": above all music, but also the visual arts.

Video: How Matrophilial Is It?

All that matters in a work of art, if it is really to help us, is how how matrophilial it is: how much does it bring us closer to our mother's love?

“Fascination and the Soul”

Our word fascination comes from the same root that gave us basket: a binding together, an interweaving, a oneness of the fibers, a union, a fusion – yoga. Today the word is debased, has lost its essential magic; we even proclaim we are fascinated by TV ads! But it is not so. We are not fascinated – only attracted, drawn, to them (from the Latin trahere, to draw). Attracted to, but not bound to, one with. Merely superficial, momentary, evanescent, with little deep or lasting worth.

“To Live on the Pulse”

To sing, to play, to dance, on the Pulse, you must believe that there is a Spirit World.

“Dada Art – Mama Art”

The origin of the word dada is disputed. I like Shipley’s: "Baby talk, imitative. The first two sounds an infant makes seem to be ma and pa."

“Does the Botticelli Make Me Feel More Matrophilial?”

How many millions have puzzled over Botticelli's “La Primavera” – and the infinite reproductions. And all the basic question: What's it about?

Video: Words – Signifiers of Reality

Words are merely signifiers of reality, not, as we so often treat them, reality itself. Their application, whether as a simple name given to an object or a whole story created about it, forces us to see the object in a particular way, and so limits our perception.