Spirit World & Guidance

“The Wind that Blows Through Me”

For me, a major – perhaps the major – criterion of any work of art is whether the viewer believes not that the artist has painted it, but that it has been painted through him.

“Danced by the Spirit”

As I am danced by the spirit of the music playing,

“All Guidance Is For All”

Whatever one does affects everyone else, and whatever is done to one affects everyone else.

“The ‘Magical Event’ of My Mother’s Passing”

In my meditation this morning, this was given to me:

It was Magical
to be with my mother
as she passed over.

Magical:
the Awareness
of the Supernatural Power
that ever bound us
– and ever will.

“Painting as Guided”

Michelangelo was aware of his “I,” his ego, when he painted, just as we are when we look at his paintings. But when we go back and look at Paleolithic art, for instance that of the Lascaux caves, we realize that these were not the result of people’s conscious thoughts.

Video: Harry Edwards and the Spiritualization of Everyday Life

In this free video, Dr. Diamond discusses the great spiritual healer, Harry Edwards (1893-1976), who lived in a state of Cantillation (high Life Energy).

“Creativity as Aspiration through Meditation”

What unconscious does the artist bring into conscious expression?

The superficial – with always some hate, often more than the love,
or the Deep Unconscious of Pure, Pure Love?

In a sense, it all depends on meditation. Did he, does he, meditate? And what Guidance does he receive from it?

It does not have to be meditation in the more formal sense, only some means of surrendering himself to Inspiration.

“Through My Consulting Room Window”

Through my consulting room window I can see the two personages I often consult when in difficulty.

One is a large tree which seems to have grown so much since we occupied the house. As if it is responding to our energy as we respond to its.

The other is a suspended garden seat.

“Affirmations for Meditation”

Three powerful affirmations for meditation.

“The Power of the Dot”

Many of my paintings have a dot; usually just one, sometimes many. I am always astounded by the power of a dot. Just one alone on a canvas seems to have more power than many lines. To me, my most satisfying paintings consist of but one dot and one curved line. Both placed as Guided.